11111

COURSE INTRODUCTION AND APPLICATION INFORMATION


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Course Name
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
Spring
Prerequisites
None
Course Language
Course Type
Required
Course Level
-
Mode of Delivery -
Teaching Methods and Techniques of the Course
Course Coordinator -
Course Lecturer(s)
Assistant(s) -
Course Objectives
Learning Outcomes The students who succeeded in this course;
  • Will be able to explain the basics of stroke theory;
  • will be able to draw & edit type forms with Bézier curves;
  • will be able to perform letter cut craftsmanship;
  • will be able to produce a type specimen;
  • will be able to explain some basic terms from typography and composition dictionary
Course Description

 



Course Category

Core Courses
X
Major Area Courses
Supportive Courses
Media and Managment Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Required Materials
1 Project 1: From Logo to Type None
2 Lecture on corporate type. Workshop 5: Tracing Bitmap. Bring all necessary tools to class, sketchbook included.
3 Due date for Project 5. Due date for Workshop 5. Submission.
4 Lecture on calligraphic styles. Workshop 6: Calligraphic Styles. Bring calligraphic pens/nibs.
5 Project 6: Gridnik. Lecture on digital font formats. Bring all necessary tools to class, sketchbook included.
6 Lecture on 20th century type designers. Research. Prepare to take notes and do research.
7 Due date for Project 6. Due date for Research. Project 7: Matchbox for a Type Designer. Bring all necessary tools to class, sketchbook included.
8 Screening. Workshop 7: Typotheater. Bring all necessary tools to class, sketchbook included.
9 No Classes. Work in Progress. Arrange your work independently.
10 Due date for Project 7. Project 8: Figure-Ground. Bring all necessary tools to class, sketchbook included.
11 Lecture on Drawing Type (Analog/Digital-vector). Prepare to take notes and to document.
12 Workshop 8: Cutting and Positioning. Technical units. Bring all necessary tools to class, sketchbook included.
13 Written final examination. Collect and study all course handouts and notes.
14 Prefinal for Project 8. Prepare for Presentation
15 Final Evaluation. Bring all necessary files to class, print outs included.
16 Review of the Semester  
Course Notes/Textbooks Berry, John. 2002, Language, Culture, Type: international type design in the age of Unicode. Bringhurst, Robert. 1997, The Elements of Typographic Style. Kunz, Willi. 2000, Typography: Macro + Microaesthetics.
Suggested Readings/Materials All handouts authored by Alessandro Segalini. http://www.as8.it

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
20
Laboratory / Application
4
20
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
Project
4
20
Seminar / Workshop
Oral Exam
Midterm
1
20
Final Exam
1
20
Total

Weighting of Semester Activities on the Final Grade
80
Weighting of End-of-Semester Activities on the Final Grade
20
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Course Hours
(Including exam week: 16 x total hours)
16
4
64
Laboratory / Application Hours
(Including exam week: 16 x total hours)
16
4
Study Hours Out of Class
16
4
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
Project
4
2
Seminar / Workshop
Oral Exam
Midterms
1
4
Final Exams
1
4
    Total
208

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1 To be able to use the advanced theoretical and applied knowledge attained in the areas of Visual Communication Design (Multimedia, Photography, Graphic Design and Typography), X
2 To be able to investigate, interpret and evaluate the developments on Visual Communication Design in the world and in Turkey, X
3 To be able combine images and words creatively in order to convey visual ideas
X
4 To attain a high level of complex problemsolving using a variety of design methodologies, X
5 To understand the principles of compositional space X
6 To have a clear understanding of creative art direction, X
7 To attain proficiency on the implementation of production standards and to be able to use Visual Communication Design related software and communication technologies. X
8 To have an advanced level knowledge and experience in photography and video production, including image processing, editing and postproduction techniques, X
9 By using a second foreign language at least on an intermediate level, to be able to follow the information in Visual Communication Design and communicate with colleagues, X
10 To have social and ethical awareness in the stages of creating, applying and evaluating the practices related to Visual Communication Design, and to act consciously and sensitively in the application of these values, X
11 To take responsibility both as an individual and as a team member in order to solve creatively the unexpected and unforeseen complex design problems encountered in the Visual Communication Design practices. X
12 To utilize the ability to evaluate and criticize acquired knowledge and skills, to diagnose ones individual educational needs, and undertake selfdirected and continuous education in the discipline. X

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 

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